HISTORIANS DATE THE INCA EMPIRE TO THE PERIOD 1100 AD TO 1532 AD.- BUT, ACTUALLY, INCA HISTORY GOES BACK THOUSANDS OF YEARS EARLIER.
- THE INCAS ORIGINALLY SETTLED NEAR LAKE TITICACA IN SOUTHERN PERU.
- TONS OF GOLD, SILVER, COPPER, AND TIN RESIDED IN THE AREA’S MOUNTAINS.
- IN 1532, SPANISH EXPLORER FRANCISCO PIZARRO AND 189 SOLDIER LANDED ON THE COAST OF PERU.THE INCAS THOUGHT HE WAS WAS THEIR CREATOR GOD, VIRACOCHA.
- THE SPANIARDS LOOTED THE INCA TEMPLES OF TONS OF GOLD.
- THE INCAS HAD A VAST ROAD SYSTEM, HIGHLY DEVELOPED IRRIGATION SYSTEMS, PALACES, TEMPLES AND FORTIFICATIONS.
- THEY DEMONIZED THE INCA RELIGION, AND DISMANTLE THEIR EMPIRE.
- IT WAS A REPEAT OF WHAT CORTEZ HAD DONE TO THE AZTECS ELEVEN YEARS EARLIER.
- THE INCA CAPITAL OF CUZCO, PERU WAS AT AN ALTITUDE OF 11,2OO FEET.
-
- Every symmetry of physics laws leads to a conservation law, and every conservation law arises from a symmetry in the laws of physics.
- Symmetry is the casual structure built into the creation module. The creation module has a two-way arrow of time that is built into it. All current information is always passed back into the versatile storage unit. These informational totals can’t be changed or deleted.
- The closed sub-atomic quantum system is a duplicate of the macro quantum system. The two systems interact on a binary basis.
- The triune combined functions of consciousness, quantum gravity, and quantum entanglement act as one from the underside of the fabric of space-time.
HISTORIANS DATE THE INCA EMPIRE TO THE PERIOD 1100 AD TO 1532 AD.
MEGALITHIC STRUCTURES WERE EVERYWHERE. ( A megalith is a large stone that has been used to construct a structure or monument, either alone or together with other stones. The word megalithic describes structures made of such large stones without the use of mortar or concrete, representing periods of prehistory characterized by such constructions.)
- THESE STONES WEIGH 15 TO 200 TONS.
- THEY WERE CUT, CARVED, MOVED, LIFTED, ENGRAVED, TO THE SAME PRECISION TOLERANCES AS THE EGYPTIAN PYRAMID STONES.
- THE CUZO STONES have TRANSPORTED FROM MANY MILES AWAY. THEN, PERFECTLY CUT TO FIT ODD ANGLES. THEY WERE THEN STACKED, WITHOUT USING MORTAR.
- THE CUT AND POLISHED STONES ARE MADE OUT OF DYRIT AND GRANITE. THE HARDEST STONES ON EARTH.
- THE INCAS READILY ADMIT THAT THEY INHERITED THE STRUCTURES, THEY DID NOT BUILD THEM.
- IT IS ESTIMATED THAT THESE MEGALITHIC STRUCTURES WERE PUT IN PLACE, AROUB 3172 BC.
- THERE ARE ALSO, PRE-INCA MEGALITHIC STRUCTURES IN PERU AT MACHU PICCHU. AT AN ELEVATION OF 13,861 FEET. NEAR (WAS ON, BEFORE) LAKE TITICACA. THE 2ND LARGEST LAKE IN SOUTH AMERICA, IT REACHES A 1,000 FOOT DEPTH.
- ANOTHER MAJOR ARRAY OF MEGALITHIC STONES IS AT PUMA PUNKU (WESTERN SHORE OF LAKE TITICACA). THEY WERE CUT, MOVED, ETCHED, LIFTED AND PUT IN PLACE.
- ONE STONE, ALONE IS 400 TONS.
- MANY OF THE STONES AT PUMA PUNKU HAVE LARGE METAL CLAMPS THAT HOLD SOME STONES TOGETHER.
- THESE CLAMPS ARE COMPRISED OF A COPPER-NICKEL ALLOY AND POURED INTO SHAPED SLOTS DRILLED INTO THE STONE.
- THE PUMA PUNKU STONES ONE OF 3 SITES. THE OTHER TWO SITES ARE IN EGYPT AND ANGKOR WAT IN CAMBODIA.
- ALSO IN INCA COUNTRY ARE THE NAZCA DRAWINGS. THEY CAN ONLY BE VIEWED FROM THE AIR.
- THE LINES ARE LOCATED ON THE PERUVIAN COAST BELOW LIMA.
- AN ENTIRE MOUNTAINTOP HAS BEEN REMOVED.
- THERE IS A GIGANTIC SPIDER, A 1,000 LONG PELICAN, A HUMMINGBIRD, A SNAKE, AND A LLAMA.
- THE PURPOSE OF THE LINES IS UNKNOWN.
- THE REALITY OF HOW LIFE FORMS CAME ABOUT ON THIS REMOTE BLUE MARBLE IS THIS: THE EVENT ORIGINATOR WROTE THE CODE, PRODUCED THE BLUEPRINT, AND USED AN EVOLVEMENT PROCESS TO OBTAIN THE REQUISITE RESULT.
- THE REALITY OF HOW LIFE FORMS CAME ABOUT ON THIS REMOTE BLUE MARBLE IS THIS: THE EVENT ORIGINATOR WROTE THE CODE, PRODUCED THE BLUEPRINT, AND USED AN EVOLVEMENT PROCESS TO OBTAIN THE REQUISITE RESULT.
- THE REALITY OF HOW LIFE FORMS CAME ABOUT ON THIS REMOTE BLUE MARBLE IS THIS: THE EVENT ORIGINATOR WROTE THE CODE, PRODUCED THE BLUEPRINT, AND USED AN EVOLVEMENT PROCESS TO OBTAIN THE REQUISITE RESULT.
- IT’S ALL ABOUT THE CODE THAT YOU START WITH.
- THE DESIGNER/CREATOR’S PROCESS : (recap).
- 1ST: Write the code, for the upcoming big bang that will create another universe. (One universe does not an infinity make.)
- 2nd: Write the code for the design and descent for all intended results as the event unfolds. ( One event does not an eternity make).
- 3rd: Set the event in motion. All things are triune, with binary interactives.
- 4th: Monitor, fine-tune, adjust, and select out on-going.
- 5th: Use DESIGN AND DECENT as the process. Write a separately coded blueprint for the consciousness of the known thought reposers.
- 6th: It’s not the people, it’s the event.
- 7th: Harvesting new crops of known thought reposers was the intended result.
- ONE UNIVERSE DOES NOT AN INFINITY MAKE.
- ONE EVENT DOES NOT AN ETERNITY MAKE.
- EVOLUTION IS ONLY PART OF THE PROCESS.*
- ALL THINGS ARE TRIUNE, WITH BINARY INTERACTIVES.
- BEYOND GOOD AND EVIL IS ONLY GOOD.
- ITS NOT THE PEOPLE, ITS THE EVENT.
- GET BACK TO WHERE YOU ONCE BELONGED.
- IN THE END, CHOICES ARE NEVER FREE.
- WHAT TO DO, IS UP TO YOU.
- GETTING BEYOND EVIL IS A START.
- Evolution #2: “Common Descent” or “Universal Common Descent”
- Many biologists today also commonly use the term evolution to refer to the idea that all organisms are related by common ancestry. This idea is also known as the theory of universal common descent. This theory affirms that all known living organisms are descended.
